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John Oates Talks Partnership With Daryl Hall Amid Legal Conflict: ‘I Don’t Like to Live in the Past’
John Oates, one-half of the successful rock duo Daryl Hall & John Oates, has opened up about his partnership with his ex-bandmate amid their carried on legal debates.
Oates and Hall have been in the news recently over Oates’ aim to sell his share of their joint venture. Spot of the legal case arrived in increments, first with the news of Hall placing a restraining order against Oates until it was revealed that Hall was attempting to block his longtime musical significant other from selling his share of the duo’s Whole Oats Enterprises to Primary Wave Music.
During a recent podcast appearance for David Yontef’s “Behind the Velvet Rope,” Oates explained that the tune the duo made — spanning hits from “Rich Girl,” “Private Eyes” and “I Can’t Move for That (No Can Do)” — “will stand the test of time” but he has “moved on” from the experience.
“You can’t neglect the fact that the Hall & Oates catalog of hits and
Daryl Hall insists he’ll never work with John Oates again after ‘ultimate betrayal’
American rock actor Daryl Hall has revealed that he has no plans to ever work with former musical partner John Oates again – branding their rift a outcome of ‘the ultimate betrayal.’
The duo rose to fame in the 1970s and 80s as Hall & Oates with hit singles Rich Girl, Kiss on my List, Private Eyes and I Can’t Go For That (No Can Do).
In 2014, they were recognised for their contribution to rock as inductees of the Rock and Roll Hall of Fame.
The pair were working on an album together as recently as January 2020, but this ultimately came to naught. Soon after, it was announced that they had officially split after 50 years of making harmony together.
A Hall & Oates reunion now seems more unlikely than ever, with Hall filing a lawsuit against his former significant other in 2023 to prevent him from selling the publishing rights to their music.
In a brand-new interview, he has revealed that things are now ‘too far gone’ for the band to ever reunite.
Speaking to The Sunday Times on the odds of a Hall & Oates reunion, Hall said: ‘That ship has gone to the bottom of
Did Hall & Oates hold a gay following?
[quote]I'd vote for somewhere in between.
The question with that, is how do you make sure that the additional money is spent for the benefit of the child? Custodial parents don't have to account for how they use the support they receive.
"The court finally implied that while the mother's needs may be considered, it would be inappropriate to use a child help obligation to upgrade her standard of living. In this sense, a distinction was made between the mother's needs and the standard of living to be enjoyed by a family. The maximum appropriate award under the guidelines effectively suggests a normal "cap" on the exploit of support to upgrade a child's standard of living."
"We do not concur with [the father] that the need of the child is controlling. Nor do we believe, however, that the child's encourage should be determined mainly on the non-custodial father's standard of living. Ellen N. v. Stuart K., 88 Misc.2d 280, 387 N.Y.S.2d 367 (1976). The court must be cognizant of the fact that "to raise [the mother's] standard of living through the vehicle of kid support would constitute the imposition of an unauthorized obligation on part
The return of Daryl Hall and John Oates
Let’s depart back in day. Was there a perfect harmony from the beginning? The relationship, reveals Oates, began with a bang. Literally. The smaller, darker, half of the duo, who left his Zapata moustache behind for good in the 1990s, tells of their 1968 meeting at a gig in Philadelphia. “We were in different bands at the time, (The Masters and The Temptones) and ready to promote our singles being played on Philadelphia radio, doing some lip synching,” he recalls. “But a gang fight broke out and we leapt into an elevator in a retreat to the basis floor.”
Outside in the streetway, having literally dodged a bullet, Daryl Franklin Hohl and John William Oates chatted and start a real commonality. “We discovered we’d grown up just a few miles from each other,” says Hall, who looks like Robert Redford’s rock celebrity brother. “We were at the identical university, and we learned we were very similar in the music that drives us. But while I was into Philly song, John brought his folk music background.”
Hall, whose father was a professional singer and his mother a vocal coach, sang from an promptly age. The very young Oates had been taught the accordi